Mr. Rochester grunted. “Miss Eyre, listen to me. I believe there is a string below your rib, and it stretches across class and age to me, and it is attached beneath my rib. And if you find another suitable position, and leave me, you will pull it out. And I will bleed.
That’s the duty of the old,’ said the Librarian, ‘to be anxious on the behalf of the young. And the duty of the young is to scorn the anxiety of the old.’ They sat for a while longer, and then parted, for it was late, and they were old and anxious.
It was a power play, a signal of ubiquity. I am both nowhere and everywhere. You may not think you have something in common with your neighbor, but you do: me. I’m the barely spotted presence, the dark-haired, blond-haired, stocky, slight, seen from the back, glimpsed in half-light thread that will continue to connect you even as you fail to look out for each other.
Their father was murdered. They don’t know one of their closest friends is really their enemy… And he’ll stop at nothing to get the key to the black door. The other keys have the power to save them. This is where they’ll make their stand.
All our land was enriched with my treasures buried in it, thickly inhabited just below the surface with my marbles and my teeth and my colored stones, all perhaps turned to jewels by now, held together under the ground in a powerful taut web which never loosened, but held fast to guard us.
Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.
Kids always think they’re coming into a story at the beginning, when usually they’re coming in at the end.