I was introduced to Jessica Spotswood through her first anthology project A Tyranny of Petticoats, which featured 15 stories about badass women. I don’t remember much of it, but I know I gave it a 3/5 rating because the stories were good, but nothing special or memorable for me.
That’s the secret to performance: conviction. The right note played tentatively still misses its mark, but play boldly and no one will question you. If one believes there is truth in art – and I do – then it’s troubling how similar the skill of performing is to lying. Maybe lying is itself a kind of art.